In the first study of its kind about the role played by intimate memory in the mourning literature of late imperial China, Martin W. Huang focuses on the question of how men mourned and wrote about women to whom they were closely related. Drawing upon memoirs, epitaphs, biographies, litanies, and elegiac poems, Huang explores issues such as how intimacy shaped the ways in which...(展开全部)

白馥兰(Francesca Bray)英国剑桥大学社会人类学博士，研究兴趣集中于农业体系、日常技术、社会性别、医疗与身体等方面，并专攻东亚及东南亚地区。曾居住在马来西亚乡村参加稻田种植。现任美国圣巴巴拉加州大学人类学系教授。其主要著作除本书外，尚有李约瑟主编《中国的科学与文明》之第六卷第二分册(农业)(1984)、《稻米经济：亚洲社会的技术与发展》(1994)、《明代中国的技术与社会，1368—1644年》(2000)。本书于1997年出版后，曾于1999年获美国技术史学会所颁发的德克斯特奖(DxterPrize)。

In this feminist history of eight centuries of private life in China, Francesca Bray inserts women into the history of technology and adds technology to the history of women. Bray takes issue with the Orientalist image that traditional Chinese women were imprisoned in the inner quarters, deprived of freedom and dignity, and so physically and morally deformed by footbinding and ...(展开全部)

In this feminist history of eight centuries of private life in China, Francesca Bray inserts women into the history of technology and adds technology to the history of women. Bray takes issue with the Orientalist image that traditional Chinese women were imprisoned in the inner quarters, deprived of freedom and dignity, and so physically and morally deformed by footbinding and ...(展开全部)

Herself an Author addresses the critical question of how to approach the study of women's writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres ...(展开全部)

This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China's ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its core sources: the Miao album, a genre of ethnographic illustration depicting the daily lives of non-Han peoples in late imperial Chi...(展开全部)

During the late imperial era (1500-1911), China, though divided by ethnic, linguistic, and regional differences at least as great as those prevailing in Europe, enjoyed a remarkable solidarity. What held Chinese society together for so many centuries? Some scholars have pointed to the institutional control over the written word as instrumental in promoting cultural homogenizati...(展开全部)